Ram Mask (Bolo)

Ram Mask (Bolo)

Attribution: Museum-publishedProvenance: Museum accession

Attribution follows a published museum catalogue or peer-reviewed scholarship. Object is held in a public collection under a published accession number.

Ram Mask (Bolo), Igbo — front view
Front · Cleveland Museum of Art · CC0 — Cleveland Museum of Art

Bolo masks are primarily danced for entertainment during communal occasions like funerals, male initiations, and harvest celebrations. Comprising both animal and human features, the mask––always worn by a male dancer––refers to the cultural significance of the ram, an animal associated with male aggression across sub-Saharan Africa.

Catalogued by Cleveland Museum of Art as “Ram Mask (Bolo)”, dated possibly early 1900s. Harvested from the museum’s open-access record; every field below is copied from that record and none of it has been inferred.

Record

People / cultureBobo
CountryBurkina Faso
Common nameRam Mask (Bolo)
MaterialsWood and paint
DimensionsOverall: 45 x 36 x 36 cm (17 11/16 x 14 3/16 x 14 3/16 in.)

Provenance

Jeanne Raguin, Golfe-Juan, France, sold to René and Odette Delenne (?–1962)
René [1901-1998] and Odette Delenne [1925-2012], Brussels, Belgium, sold to the Cleveland Museum of Art (1962–2016)
The Cleveland Museum of Art, Cleveland, OH (2016–)

CollectionCleveland Museum of Art
Accession number2016.56

Source

Cleveland Museum of Art, Ram Mask (Bolo), accession 2016.56. https://clevelandart.org/art/2016.56

https://clevelandart.org/art/2016.56

This record is a catalogue entry, not an appraisal, valuation or legal determination. Nothing here should be read as evidence that an object was lawfully acquired or exported.