Face Mask
Attribution follows a published museum catalogue or peer-reviewed scholarship. Object is held in a public collection under a published accession number.

A Dan face mask’s use and the costume that accompanied it are important elements that contribute to the name it receives. While we don’t know those details, we can say it originally had an elaborate fiber hairstyle attached through the holes around the edge. Based on its appearance and other similar examples, this face mask with a high forehead in northern Dan style may have been called either sagbwe or gunyege. As a “runner mask,” it was engaged in running competitions once organized every Sunday during the dry season. As a “fire-watcher,” its main task was to protect the village from fire when the dangerous desert wind called Harmattan blew during the dry season.
Catalogued by Cleveland Museum of Art as “Face Mask”, dated possibly early 1900s. Harvested from the museum’s open-access record; every field below is copied from that record and none of it has been inferred.
| People / culture | Dan |
|---|---|
| Country | Côte d'Ivoire |
| Common name | Face Mask |
| Form category | Face mask |
| Materials | Wood, metal, leather, and organic materials |
| Dimensions | Overall: 22.9 cm (9 in.) |
Katherine White Reswick (?–1972)
The Cleveland Museum of Art by gift (1972–)
| Collection | Cleveland Museum of Art |
|---|---|
| Accession number | 1972.331 |
https://clevelandart.org/art/1972.331
This record is a catalogue entry, not an appraisal, valuation or legal determination. Nothing here should be read as evidence that an object was lawfully acquired or exported.