Helmet Mask
Attribution follows a published museum catalogue or peer-reviewed scholarship. Object is held in a public collection under a published accession number.

This type of helmet was worn in rituals demonstrating a boy’s transition from one age group to the next, prior to his actual initiation into the secret Poro society. The pre-initiates were viewed as unknowing and anxious oxen, so the horns on such helmets may refer to those of horned cattle. The female figure alludes to women’s supernatural powers, which assure the welfare of Poro members.
Catalogued by Cleveland Museum of Art as “Helmet Mask”, dated early to mid-1900s. Harvested from the museum’s open-access record; every field below is copied from that record and none of it has been inferred.
| People / culture | Senufo |
|---|---|
| Country | Côte d'Ivoire |
| Common name | Helmet Mask |
| Form category | Vertical helmet |
| Materials | Wood, upholstery studs, and colorant |
| Dimensions | Overall: 34.9 cm (13 3/4 in.) |
J. J. Klejman, New York, NY (1963)
Katherine C. White [1929-1980], Gates Mills, OH, by purchase from the above (?–1975)
The Cleveland Museum of Art by gift (1975–)
| Collection | Cleveland Museum of Art |
|---|---|
| Accession number | 1975.152 |
https://clevelandart.org/art/1975.152
This record is a catalogue entry, not an appraisal, valuation or legal determination. Nothing here should be read as evidence that an object was lawfully acquired or exported.